The automotive industry requires precise attention to detail in
every aspect of graphics and publications. As a 25 year
veteran in the business, communicating to  the consumer or
the technician quickly and easily is what we do best.

Whether it's technical illustrations at a high volume level or
conceptual illustrations that best tells the story, our team of
experts can accommodate any request in all global electronic
formats. We can also accommodate any hard copy printing
requests for any publication.

Working with your team of engineers and publication
specialists, we can provide a variety of high quality, high
volume illustration services at cost effective rates above any
other agency in the USA or abroad.

Deadline driven our team of experts have over 25 years in
the industry and can deliver without fail, meeting or exceeding
your deadlines. Please check out our services and samples
below and let us know what we can do for you today!

- High Volume Vector Illustrations (In all global formats)

- Resource Modeling Files for Vector Illustrations

- Service Manuals, Owner's Manuals, Recall Artwork
TSB Artwork and various other publication graphics

- Color & B&W Photoshop Airbrushing Graphics

- Vehicle Warning Label Graphics

- Quick Reference Guides

- Litigation Court Case Graphics

- Labor Operations & Time Study Graphics

- OEM Catalog Graphics

- Conceptual Vehicle Illustration and Renderings

- Animated Graphics

- Available Printing And Translation Services

- Supporting All Domestic And Global OEM's and    
Automotive Manufactures
Click on our sample artwork below
Exploded View Vector Artwork
Engine Airbrushed Cutaways
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With so much ahead, this is
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Chrysler Owner's Manual Artwork
Vehicle Information Label Artwork
Custom Engine Design Graphics
Concept Automotive Designs
Photoshop and Traditional Methods
As envisioned by Tucker himself, the "Tucker Torpedo" (as the concept vehicle was known) represented quite a
departure from the standard fare offered by the Big Three automakers. Long, low, and substantially wider than other
large cars then available, with sleek lines reminiscent of a rocket, it had doors that slid up into the roof and six
chrome-plated exhaust pipes. Its unique safety features included headlights mounted in fenders that moved with the
front wheels to illuminate the road as the car made a turn, a windshield made of shatterproof glass, seat belts, disc
brakes, and a heavily padded dashboard to protect front-seat passengers in the event of a collision. In another unusual
twist, the driver's seat was positioned in the middle rather than on the left, with separate passenger seats on either side.

Engineering-wise, too, the Tucker was different. It boasted a gigantic, fuel-injected, six-cylinder engine mounted in the
rear that its creator claimed could hit a top speed of 130 mph, maintain a cruising speed of 100 mph, and deliver an
astonishing 35 mpg gas mileage. In addition, it sported a revolutionary power delivery system of "hydraulic torque
converters" that Tucker said would eliminate the need for a clutch, transmission, drive shaft, and differential.

The American public responded with unbridled enthusiasm to Tucker's "car of tomorrow" and buried him in an avalanche
of letters and inquiries. But first he had to secure some factory space in which to make his fantasy a reality. Under the
auspices of the War Assets Administration (WAA), the federal government leased him a former B-29 engine plant
outside Chicago, Illinois. Because the deal was contingent upon his ability to raise $15 million in capital by March 1,
1947, Tucker then set about lining up potential investors. However, he soon found out that in return for their financial
support they expected him to surrender control of his company, a notion he found intolerable.
PRESTON THOMAS TUCKER
(1903-1956)
Creator of the "Tucker Torpedo"
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"TUCKER The Man
and His Dream"
Click on the movie
cover to buy this DVD
Member of the CCS Alumni
Committee Since 1986
(Center for Creative Studies),
College of Art & Design - Detroit,
Michigan
History tells us that would-be automobile mogul Preston Tucker was a silver-tongued con man, who misappropriated his
investors' money and played fast and loose with ethics and legalities in the pursuit of his dream. Filmmaker Francis Ford
Coppola isn't buying this: to hear Coppola tell it, Tucker was "Mr. Smith Goes to Detroit," a sincere visionary who tried
and failed to buck the Big Three auto manufacturers. Moreover, he was a staunch defender of family values, as witness
his inseparable relationship with his loyal wife (Joan Allen) and adoring children. It was for his family's sake, rather than
any dreams of financial gain, that Tucker created the oddball three-headlight vehicle which he envisioned as the "car of
the future". Naturally, the corporate fat cats of 1947 can't abide competition from a rugged individualist; thus, with
several politicos in their pockets, they crush the Tucker and the man who built it. We'd have been more inclined to
believe the story had Coppola adopted a straightforward Capraesque approach and not utilized all sorts of complicated
camera trickery. Somehow, by presenting Tucker in so showoffy a directorial manner, the character comes off more as a
sleight-of-hand artist than a bastion of sincerity. Even so, Jeff Bridges does a nice job as Tucker, as does Martin
Landau as Tucker's incongruous business partner. Jeff's dad, Lloyd Bridges, appears in an uncredited role as a
"bought" senator. ~ Hal Erickson, All Movie Guide
Member of the Illustrator's
Partnership
of America, since 2007
Quick Reference Guides
Concept Interior Designs
Ergonomic Studies
Automotive Graphics
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3917 Berkeley Avenue - Canton - Michigan  - 48188  -  1-734-340-4695   taylordesignstudios@comcast.net
1-734-340-4695 or click Request For Quote
1-734-340-4695
TAYLOR DESIGN STUDIOS - 2011-2012
3917 Berkeley Avenue - Canton - Michigan - 48188
DOWNLOAD OUR
LATEST
WALLPAPER
DESIGNS
DETROIT LIONS,
RED WINGS &
TIGERS Wallpaper

Our latest desktop
wallpaper designs,
click on
the image
and save to your
desktop and make it your
background wallpaper.
With so much ahead, this is
just one of our studio
designs for Detroit, the
shape of things to come for
this great city! The Detroit
Pistons to come....

DETROIT SHINES!!!
Member of the CCS Alumni
Committee Since 1986
(Center for Creative Studies),
College of Art & Design - Detroit,
Michigan
Member of the Illustrator's
Partnership
of America, since 2007
Board of Directors
Lead Graphic Designer
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